Biweekly

Two weeks later, and we’re at the bank again,

again in line, again waiting as the tellers call up

 

servers still in uniform, shop owners, secretaries

whose makeup had faded early in the afternoon,

 

and who—away from anything that required

they maintain an appearance—are not concerned

 

that their hair is disheveled, that their skirts

are askew, that the band aids, bloodied from

 

the blisters on their ankles, are flaring from

the backs of their heels. And there are construction

 

workers, men in grease-stained blue jeans,

paint-smeared shirts, steel toes they shuffled

 

across the tile, as slow and impatient as my father.

He looks over. They look back. And I understand

 

from their silence that even if there’s mutual respect,

there’s also a wariness of the logos on their chests,

 

of the DH, LG, JD Incorporated, letters that mean

nothing to me, but that to my father equate

 

with a new Home Depot, Lowe’s, with contracts

their bosses vied for, and that if they got

 

led to at least another month of work. Slowly, the line

moves forward. My father peeks inside his envelope,

 

makes sure his name is still on the check,

and I look up, wonder if he’s worried the teller

 

will ask him for some ID he doesn’t have, proof

that he earned the money he’s requesting in cash.

 

And maybe this is why he’s begun walking into banks

the way the elderly do, mindful of the crowd and commotion,

 

of the bankers sitting at their desks, of an institution

with computers that hold so much information,

 

and with believing, as my grandfather used to claim,

that nothing can beat the knowledge that when

 

you went to bed, what you worked so hard for

was tucked beneath the same place you slept.


Also by Esteban Rodríguez

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