IT ISN’T UNTIL I’M LECTURING MY STUDENTS ON FIRE SAFETY AND THEY’RE ALL LOOKING AT ME LIKE I’VE GROWN TWO HEADS THAT I REALIZE MAYBE I’M NOT TAKING YOUR DEATH AS WELL AS I THOUGHT

And maybe my little PSA has well and truly gone off

the rails, maybe I look like that man in the memes with the red thread

crisscrossing the bulletin board behind him and pointing to his head

like it makes his behavior any less insane. And isn’t that just the way grief works,

the metaphor of it, a horse galloping through a desert, simple arc

of a rotting apple falling from a tree, or rather the rending of garments until

they are just fabric shreds on the sidewalk anyone could step over

on their way to work or to school, to a lover’s apartment

or maybe to get high with friends and forget what loss is. Lately,

my father has been thinking about death, and he stays up late,

screwing his eyes against the weak light of his computer screen

to write emails to his children explaining why and how he wants to die

alone, and I have to wonder why it is that every loss I’ve had has been in peony

season, that sweet spot when spring nudges its head out

of the ground, around when everyone is dressed in green and pretending

they’re Irish, just for the day, just to have something to celebrate,

but this time, it was Easter Sunday, 1 a.m. when your house caught fire,

and I imagine smoke thick as a fist hung in the air, and you

could not get out, not through the door, not through the window.

The fire had come up the back then went around the front,

like any standard, unimaginative intruder. The fire department said

something about the wiring. The dogs, maybe, chewing on electrical cords

until it was easy enough to make a spark snap into flame. The dogs died

too. This is not a poem about blame. I wouldn’t know how to write one.

I am asking you how. How do you blame something as random, as undiscerning

as fire? And your son’s wife is pregnant, and she’s due in October, when the leaves

turn the color of burning and I wonder what you thought when you realized

there was no version of your story that didn’t end horribly. Your voice

calling to your dearest on the other side of the door, the last they heard

of your voice, which was always so calm and collected screaming

I can’t, no, I can’t get out. Loss empties the room.

Smoke fills the hole you’ve left behind.


Also by Kathryn Bratt-Pfotenhauer

$hare